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Alys Marchand

~ Author, reader, dreamer

Alys Marchand

Monthly Archives: May 2013

Off the topic of writing for a moment

29 Wednesday May 2013

Posted by Author Alys Marchand in Uncategorized

≈ 1 Comment

I found an obscure Easter egg in Toy Story 3!  Disney/Pixar is known for planting hints about things that are upcoming.  In Up, Lotso (the purple evil bear from TS3) is a toy in the little girl’s bedroom as she watches the balloons rise outside her window.  TS3 was the next movie.  They always do this.

I’m kind of a big, diehard Disney and Pixar fan.  If they animated it, separate or together, chances are I love it.  Right now I’m watching Phineas & Ferb.

I am also a Mac fangirl right on down to going to MacWorld in San Francisco and getting to see the first gen iPhone the very day Steve Jobs announced it.

So it’s no surprise that I would love Toy Story 3, and that I know dates of the movies and approximate dates of when Apple announces products and releases them, such as Apple acquiring Siri in April 2010 and announcing it in October 2011 just a couple weeks before release.

A couple days ago I was watching TS3 for the third time that day.  It’s what I had access to at the time, and as usual for me, I read a lot of the credits.  If I worked on one of those movies, I like to think that those who appreciate the movie might see my name and be a little impressed.  So I read them to be impressed for those who worked on them.  Twenty-two people listed in HR.  Criminy.  But I usually pay only slight attention to the production babies.  That’s a list toward the very end with the names of all the babies the cast and crew had (birth or adoption) while working on the film.

Image

Do you see what I see?  In this movie from 2010, Siri is listed as a production baby!  Disney got Siri in 2010, and stuck it in there the year before revealing it to the world!

I also haven’t seen anyone mention anywhere that Andy’s mom is Emily. Jessie’s former owner.  They look the exact same, and Andy even has the hat Emily had as a child, which matches Jessie’s.  But that’s not quite as obscure as Siri.

Andy hat Emily Jessie

I deserve a prize. 🙂

Concerns about Amazon’s new platform for writers to sell fanfic

22 Wednesday May 2013

Posted by Author Alys Marchand in Uncategorized

≈ 1 Comment

This morning Amazon announced a new platform enabling writers to sell fanfics.  For a while now selling fanfics using the original characters and world of another writer has been heavily frowned upon as it’s technically a copyright violation.  For E.L. James to sell Fifty Shades she had to change the names of Edward and Bella (I have a copy of the original, titled Master of the Universe, and all the names are from Twilight) and make a few other changes, even though the books are still very easily identified as being Twilight “with the serial number filed off,” as writers say.

Amazon has solved the copyright issue while creating another one.  The company has contracted with some entities, such as the one owning Vampire Diaries, so that the writers can leave in the same names.  Amazon will sell the stories and the writers will get royalties and the entities will get kickbacks. This is what makes it legal, though it’s still dubious, and still fanfic with filed-off serials.

Now the new problem, outside the moral realm of making money off someone else’s creations, is that Amazon’s contract to do this says Amazon can confiscate the works, including original characters, without payment.  Contract law requires consideration to have monetary value except in very limited situations (if I hit you with my car, we can contract for me to pay your medical bills and living expenses while you’re recovering, even though my consideration is nothing more than fulfilling my debt to you).  This consideration must have value, and both sides must receive it.  Bargain, consideration for both sides, consideration has value, are three elements to make a contract enforceable.  Even if you sign, you may have a legal “out.”  Large companies often rely on the little guy not knowing this.

But neither are they quite creating an estoppel.  If the fanfic writer pulling out of the contract due to their lack of consideration would cause Amazon to lose money they already made (versus future gains), an estoppel could be created to stop Amazon from losing money out of their pockets.  It would be an interesting time in court having one side argue for an estoppel while the other argues that the contract wasn’t enforceable in the first place while the first side argues that the terms were ratified by the other party not taking action at the very beginning while the other side…starts passing out Tylenol because it’s a big mess and this is why court cases can drag out for years and some judges appear to have constant migraines.  The law is complicated and sorting it out would be easier by flipping a coin.

So Amazon’s wanting writers to enter into a contract that may or may not have consideration, and the writer won’t know ahead of time.  Removing the clause allowing for confiscation of the stories without consideration could eliminate a lot of trouble, even if it wouldn’t tackle the moral issues.

One argument right now is that this is no different than a tie-in since Amazon’s getting approval of the entity owners.  Well, it is different.  A tie-in in supplemental material written by the original writer (such as The Short Second Life of Bree Tanner by Stephenie Meyer, the original writer of Twilight) or someone contracted with the final products approved (such a the many making-off books for the Lord of the Rings movies or the many, many, many Star Wars books written by third parties that are approved by Lucas or other authorized people) and becomes part of the canon.  This scheme will allow writers to upload stories and books without making the work canon.  Also those approved to write tie-ins are guaranteed payment for their work.

On the flip side, the fanfic writers don’t own characters that aren’t their original ones, so how can they retain rights to their stories?  How can a story be retained by Amazon without the loss of original characters?  How can fanfic writers retain rights if they don’t own all the characters?

An interesting quandary is who is more right or more wrong, and is this a situation Amazon or fanfic writers should even get into?  Writers don’t own someone else’s characters.  Amazon’s offering a contract that may be unenforceable.  What would happen if a bunch of writers filed a class action and took Amazon to court to try reclaiming stories that have characters they don’t own on the basis that Amazon gave them nothing, nullifying the contract?  One side wants rights to someone else’s property and the other wants to enforce an unenforceable contract.  Hmm.

I also have a concern that this is furthering the push toward buying the same stories over and over again, which harms writers of original fics.  If you’ve noticed that so much of what’s available is the same, this is why.  Agents and publishers tend to want more of what has sold in the past to lessen the risk of a flop if something different doesn’t find an audience (same reason Hollywood keeps remaking films and adds to preexisting franchises like Fast and the Furious 7).  If you want original works, in books or films, consider spending your money on what’s different, which may very well be self-pubs and indie movies.  Independent writers and film-makers can’t copy the same stuff that’s already out there.  If you want fanfics, there are plenty of websites to read it for free.  I admit enjoying some fanfics, and highly recommend FanFiction.net or, if you like the adult type, AdultFanFiction.net.

The very heart of fanfiction is fans writing new stories using characters they love in ways that aren’t canonical.  Harry Potter and Hermione Granger never were in love, yet some fans will write stories where they do fall in love, and the chance of Hermione and Draco Malfoy ever having a love affair, yet some fan will write those two having a heavy fling (I wrote a popular fic years ago about these two).  That is what makes fanfic so fun.  These are by fans, for fans, and attempting to make money off someone else’s work in such a manner has been looked down upon since the beginning of fanfics back in the 70’s.  (Your fanfic history lesson of the day: We got the phrase “slash” as a reference to same-sex non-canon pairings from the original 70’s fanfics featuring Spock and Picard as lovers, often written as Spock/Picard or Picard/Spock, and when spoken, it was – you guessed it – slash.)

So I suggest both financially supporting original artists if you are a reader an enjoying the fanfiction written in the spirit of its creation, and if you are a writer, consulting with an attorney prior to relinquishing your fanfic work to Amazon to make sure you are comfortable with potential headaches.

Insert standard IANAL disclaimer. I Am Not A Lawyer.  Legal discussion here isn’t to be taken as legal advice.  My legal background is that I have studied contract law and passed state testing with flying colors (though this doesn’t make me a lawyer).  As the owner of a small business dealing regularly with contracts and with the potential to enter into contracts with my writing, I continue to keep abreast of any changes.  So while I am not a lawyer, I also am not someone who googled a few websites after reading something that pinged a red flag this morning.  However none of this is legal advice.

Sacred Blood RELEASE DATE

09 Thursday May 2013

Posted by Author Alys Marchand in Uncategorized

≈ 2 Comments

I’ve still got a lot of work to do, but in the last couple weeks, when I couldn’t do much else, I worked on my plan.  I’m pulling out of the query trenches and am self-publishing, and I don’t mean print-on-demand.

My reasons are several.  Among them:

1) Even if I were to get an agent AND publishing deal right this very second with a release date, it would be about two years out.  That’s typical.  This would put release right in the middle of Fifty Shades movie mania, which would bury Sacred Blood.

2) Publishers and agents aren’t well-known for doing much in the way of promotion, so I am having a hard time justifying giving them a cut in perpetuity.  I understand that agents can bring to the table an understanding of contracts, but I have a great understanding of them myself and am cynical enough to be on the look-out for tricky language.  If a book sells, the author might get $2 on a $15-book, and then have to give a cut of that to the agent.

I know people with traditional book deals.  Only one has sold over 40 units.

3) I’ve had soem professional input that an agent and editor would probably demand the end to Sacred Blood be changed and to have Juliette return to her abuser and reform him with her love.  In real life this doesn’t work, and if you want books where women go to the men who are abusers and they live in denial ever after, I can point you to other books.  I’ve written  a book where a scared woman breaks out on her own and reclaims her own life.  I’m not about to destroy that because some editor or someone thinks it would be better to give readers more of the same thing.

4) I need the ultimate control.  These characters are my creations, and I can’t stand the thought of someone else taking them and deciding their fates, or ordering the risks I take with them be nixed.

5) 20% of sales will go to women’s shelters. With a traditional deal, my cut of sales wouldn’t come close to this, and out of that, I’d have to pay the agent. So there’s potential for more money to be made, and more going back to the community. Remaining profit will go back into more printing, including copies to give to fundraisers and shelters that need literature for people to read.

So this is the time where I not only scrimp for the writing essentials every writer needs, but to fund the printing of my books.  This is why I say I’m not printing on demand, but doing real self-publishing.  I’ll be financing the printing of each of the three books.  I’ll start with smaller print runs because I just can’t afford tens of thousands of dollars for a single run.  With those books, I’ll work on not only direct sales to start, but listing on Amazon and pounding pavement to see if I can get any local stores to carry on consignment.  Since it’s typical anyway for bookstores to carry on consignment or to have a contract allowing the return of unsold books, my plan to offer consignment is industry standard anyway.

Among other things to do (nixing Createspace, getting listed with Ingram, a little more editing, getting my tech guy to deal with the ebook stuff, etc.), I’m offering a giveaway on Goodreads.

And to think, Sacred Honor will be right after, and Sacred Heart just after that. Suddenly the rest of the year doesn’t feel like very much time.

ENTER HERE if the links below don’t work.

Goodreads Book Giveaway

Sacred Blood by Alys B. Cohen

Sacred Blood

by Alys B. Cohen

Giveaway ends August 01, 2013.

See the giveaway details
at Goodreads.

Enter to win

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Fall Into The Story

The official blog for Nora Roberts and J.D. Robb readers

Tinder...oh Tinder....

The aggravations of the Tinder pool

Strong Women in Fiction

Oregon Regency Society

Rising from the Abyss

Mind Exploration

#50ShadesIsAbuse BlogRing

Exposing the Domestic Violence In the Books

I Am Not the Babysitter

I Was A Foster Kid

About growing up in the foster care system

akaKody

new url, same Kody

Magical things. Beautiful things.

Michelle L. Johnson's positive life ponderings

Ink in the Book

Author, reader, dreamer

Writer's Digest

Author, reader, dreamer

DAILY WRITING TIPS

Author, reader, dreamer

Goins, Writer

On Writing, Ideas, and Making a Difference

Sweaters for days...

Author, reader, dreamer

Cape Cod Scribe

Author & Artist K.R. Conway

All My Friends Are Pretend

Author, reader, dreamer

Writing From the Padded Room

Author, reader, dreamer

Robb Grindstaff

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